In her typical ironic manner Unwerth is quoting the Bond heroines, here especially the first of all Bond girls Ursula Andress as Honey Rider, in Dr. No (1962).
In her typical ironic manner Unwerth is quoting the Bond heroines, here especially the first of all Bond girls Ursula Andress as Honey Rider, in Dr. No (1962).
This picture by the Italian photographer Gian Paolo Tomasi is an obvious quotation of Spiderman coming up a skyscraper.


Despite it’s no quotation of any specific artwork it refers to a lot of post apocalyptic zombie movies. With its dark and morbid atmosphere is it not atypical for the kind of Editorials by Meisel.

It’s a nice retro shoot which reminds of good old Barbarella.

Without any doubt nice pictures, but I see a strong influence of the dresses of queen Amidala from Star Wars.
Because of that it isn’t very surprising to me that it was Steven Meisel who has an inclination to dark and sometimes violent arrangements shot in the same year a Fashion Editorial for Vogue Italy, inspired by the film.

A wonderful clip without any doubt by I wished that the English painter Walter Crane (1845-1915) would have been mentioned.
Walter Crane: Neptune's Horses (1892)
For example Catwoman is a fictional comic book character associated the Batman comics. Catwoman first appears in Batman 1940. As a very popular character Catwoman has been featured in many media adaptations like other comic series, toys, television series and movies. Best known are the film with Michelle Pfeiffer as Catwoman in 1992 and that with Halle Berry in 2004.
In the May 2008 issue of US Vogue the photographer Craig McDean presented a series called “Daring Do” where the Canadian supermodel CoCo Rocha poses as Catwoman.
After the success of the new movie these images where used by Citroën and Nissan for new advertising campaigns.
But the best, and I don’t think that this is a pure coincidence, the protagonist looks almost exactly like Jonathan Littell that English/French writer, who became famous with his novel “The Kindly Ones” the fictional memories of an SS officer and mass murderer.
The pose and exotic costume reminds of countless odalisques in art. But even more of Theda Bara in the film Cleopatra from 1917.
But already this film got its inspirations and its images from history paintings of its time. There are a lot of Cleopatra paintings in this time. I will only show this from the Austrian painter Hans Makart (1840-1884).
The Death of Cleopatra (1875)