She made them for the Lavazza Calendar 2009.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpgEY4g8j__Wazh87AOn-qH7c4Be52TViH4HVkeCaP6bJ-QANjFHThP_jV0H0tzjzcD_sumUAyxV9KDqRgg3XTAZjxgPP1b0vW9AUN_yzaAsptE0Lre4Wig-AKbuf2IVrXDbybSOhwm8I/s400/leibovitz_lavazza_1.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglSCGMhzY1OXRX1Xl2ukt2aJt67ZBoJ1NkxAm0ZtKVnumKA6gQiXJi-vjmcl_cbTSx57iO91bR3umrNsQtSGC94DTKpuTHMZ-Iggt_ppBI65EWUmDjxVSt-3a9wZpBT-o84VCvhDnjWfQ/s400/leibovitz_lavazza_2.jpg)
There is the narrative arrangement, the perfect surface, the cool colors and the subjects: a couple on a bridge over the Tiber and Romulus and Remus in the Colosseum.
Sure that Leibovitz got more irony than these academic painters but anyhow it’s a kind of quotation, not of a special painting but of a style.